Dans cet article, nous présentons une formulation néo-aristotélicienne de la doctrine du juste milieu. Nous commençons par décrire la formulation classique de la doctrine par Aristote, telle qu'elle est exposée dans l’Éthique à Nicomaque. Nous présentons en outre les éléments fondamentaux qui régissent les matrices de concepts (Franceschi 2002). Nous proposons ensuite une nouvelle formulation de la doctrine du juste milieu, directement dérivée de la structure-même des matrices de concepts. Nous comparons également la présente formulation de la doctrine du (...) juste milieu avec celle d'Aristote, en mettant en évidence les points communs et les différences. Nous proposons aussi une interprétation de la formulation aristotélicienne de la doctrine du juste milieu. Enfin, nous montrons comment la version néo-aristotélicienne de la doctrine du juste milieu permet de répondre à plusieurs objections, et notamment à celles qui ont été classiquement soulevées à l’encontre de sa version aristotélicienne. (shrink)

Nous proposons dans cet article une caractérisation, à notre connaissance, nouvelle, d’une distorsion cognitive : la requalification dans le même pôle. Une telle caractérisation prend place au sein du modèle général des distorsions cognitives (Franceschi, 2007). Nous commençons par définir un modèle étendu des distorsions cognitives, intégrant les éléments du cadre conceptuel des matrices de concepts (Franceschi, 2002), afin de permettre une définition élargie du système de taxons. Nous nous attachons ensuite à définir la requalification dans le même (...) pôle et à la distinguer d’une distorsion cognitive voisine : la requalification dans l’autre pôle. (shrink)

English translation of a paper originally published in French in the Canadian Journal of Philosophy under the title 'Comment l'urne de Carter et Leslie se déverse dans celle de Hempel'. In this paper, I present firstly a solution to Hempel's Problem. I recall secondly the solution to the Doomsday Argument described in my previous Une Solution pour l'Argument de l'Apocalypse (Canadian Journal of Philosophy, 1998) and remark that both solutions are based on a similar line of reasoning. I show thirdly (...) that the Doomsday Argument can be reduced to the core of Hempel's Problem. (shrink)

English translation of a paper intially publisdhed in French in Dialogue under the title 'Une solution pour le paradoxe de Goodman'. In the classical version of Goodman's paradox, the universe where the problem takes place is ambiguous. The conditions of induction being accurately described, I define then a framework of n-universes, allowing the distinction, among the criteria of a given n-universe, between constants and variables. Within this framework, I distinguish between two versions of the problem, respectively taking place: (i) in (...) an n-universe the variables of which are colour and time; (ii) in an n-universe the variables of which are colour, time and space. Finally, I show that each of these versions admits a specific resolution. (shrink)

In a previous paper (Compléments pour une théorie des distorsions cognitives, Journal de Thérapie Comportementale et Cognitive, 2007), we introduced some elements aimed at contributing to a general theory of cognitive distortions. Based on the reference class, the duality and the system of taxa, these elements allow to define the general cognitive distortions as well as the specific cognitive distortions. This model is extended here to the description of two other classical cognitive distortions: over-generalization and mislabeling. The definition of the (...) two latter cognitive distortions is based on preliminary distinction between three levels of reasoning: primary, secondary and ternary pathogenic arguments. The latter analysis also leads to define two other cognitive distortions which insert themselves into this framework: ill-grounded inductive projection and confirmation bias. (shrink)

In a previous paper (Compléments pour une théorie des distorsions cognitives, Journal de Thérapie Comportementale et Cognitive, 2007), we did present some elements aimed at contributing to a general theory of cognitive distortions. The latter elements, based on the reference class, the duality and the system of taxa, are applied here to generalised anxiety disorder. This allows to describe, on the one hand, the specific distortions related to generalised anxiety disorder, consistently with recent work emphasising the role played by uncertain (...) situations with regard to future events. On the second hand, these elements allow to define one type of structured reasoning, of inductive nature, which contributes to the formation and maintenance of anxious ideas. (shrink)

The purpose of this study is to describe a conceptual framework for cognitive distortions, which notably allows to specify more accurately their intrinsic relationships. This conceptual framework aims at inserting itself within the apparatus of cognitive therapy and of critical thinking. The present analysis is based on the following fundamental concepts: the reference class, the duality and the system of taxa. With the help of these three notions, each cognitive distortion can be defined. A distinction is also made between, on (...) the one hand, general cognitive distortions and on the other hand, specific cognitive distortions. The present model allows then to define within the same conceptual framework the general cognitive distortions such as dichotomous reasoning, disqualifying a given pole, minimisation and maximisation. It also allows to describe as specific cognitive distortions: disqualifying the positive, selective abstraction and catastrophism. Furthermore, the present model predicts the existence of two other general cognitive distortions: the omission of the neutral and requalifying in the other pole. (shrink)

In a previous paper (Compléments pour une théorie des distorsions cognitives, Journal de Thérapie Comportementale et Cognitive, 2007), we did present some elements aimed at contributing to a general theory of cognitive distortions. Based on the reference class, the duality and the system of taxa, these elements led to distinguish between the general cognitive distortions (dichotomous reasoning, disqualification of one pole, minimization, maximization) and the specific cognitive distortions (disqualifying the positive, selective abstraction, catastrophism). By also distinguishing between three levels of (...) reasoning – the instantiation stage, the interpretation stage and the generalization stage – we did also define two other cognitive distortions: over-generalization and mislabeling (Théorie des distorsions cognitives : la sur-généralisation et l'étiquetage, Journal de Thérapie Comportementale et Cognitive, 2009). We currently extend this model to another classical cognitive distortion: personalization. (shrink)

Dans ce qui suit, je m'attache à présenter les éléments d'une doctrine philosophique, qui peut être définie comme un contextualisme dialectique. Je m'efforce tout d'abord de définir les éléments constitutifs de cette doctrine, à travers les dualités et pôles duaux, le principe d'indifférence dialectique et le biais d'uni-polarisation. Je m'attache ensuite à souligner l'intérêt spécifique de cette doctrine au sein d'un domaine particulier de la méta-philosophie : la méthodologie utilisée pour la résolution des paradoxes philosophiques. Je décris enfin une application (...) de cette dernière aux paradoxes suivants : le paradoxe de Hempel, le paradoxe de l'examen-surprise et l'argument de l'Apocalypse. (shrink)

Schizophrenia is often associated with other physical and mental problems. Generalized anxiety disorder is notably one of the comorbid disorders which is often linked to schizophrenia. The association of polythematic delusions and of ideas resulting from generalized anxiety disorder complicates the exercise of the corresponding cognitive therapy, for the resulting ideas are most often inextricably intertwined. In what follows, we endeavour to propose a methodology for the differential treatment of polythematic delusions inherent to schizophrenia when combined with ideas originating from (...) generalized anxiety disorder. We propose, with regard to the corresponding content of delusions, an analysis which allows under certain conditions, to separate the content associated with polythematic delusions and the one that relates to generalized anxiety disorder, in order to facilitate the exercise of the corresponding cognitive therapy. (shrink)

Nineteenth-century scientist Hermann von Helmholtz’s peculiar wavering between empiricism and transcendentalism in his philosophy of science in general, and in his theory of perception in particular, is a much debated and well-documented topic in the history and philosophy of science. This contribution aims at providing a fresh angle on this classical issue, by considering Helmholtz’s account of differential consciousness against the background of a centuries-old philosophical debate between the empiricist tradition and the tradition of transcendental idealism. By placing Helmholtz’s (...) psychology against the background of a historical narrative stretching from Hume to Fichte, one can gain insight into the possible merits of his empirico-transcendentalism with regard to the problem of differentiation. More particularly, it is argued that Helmholtz’s psychology tilted towards transcendentalism when met with the classical theoretical problems of strict empiricism in dealing with the foundation of consciousness, most notably circularity and infinite regress. Without claiming that Helmholtz’s theorizing presented a self-conscious attempt to overcome the latter issues, his well-known wavering between perspectives in general, and his appropriation of the a priori in particular, might have served him well in avoiding the deadlocks of empiricism. As noted at the end, however, Helmholtz’s account produced complex philosophical problems of its own. (shrink)

This is the report on the XVI BRAZILIAN LOGIC CONFERENCE (EBL 2011) held in Petrópolis, Rio de Janeiro, Brazil between May 9–13, 2011 published in The Bulletin of Symbolic Logic Volume 18, Number 1, March 2012. -/- The 16th Brazilian Logic Conference (EBL 2011) was held in Petro ́polis, from May 9th to 13th, 2011, at the Laboratório Nacional de Computação o Científica (LNCC). It was the sixteenth in a series of conferences that started in 1977 with the aim of (...) congregating logicians from Brazil and abroad, furthering interest in logic and its applications, stimulating cooperation, and contributing to the development of this branch of science. EBL 2011 included more than one-hundred and fifty participants, all of them belonging to prominent research institutes from Brazil and abroad, especially Latin America. The conference was sponsored by the Academia Brasileira de Ciências (ABC), the As- sociation for Symbolic Logic (ASL), Universidade Estadual de Campinas (UNICAMP), Centre for Logic, Epistemology and the History of Sciences (CLE), Laboratório Nacional de Computação o Científica (LNCC), Pontif ́ıcia Universidade Cato ́lica do Rio de Janeiro (PUC- Rio), Sociedade Brasileira de Lógica (SBL), and Universidade Federal Fluminense (UFF). Funding was provided by Conselho Nacional de Desenvolvimento Cient ́ıfico e Tecnolo ́ gico (CNPq), Fundac ̧a ̃o de Amparo `a Pesquisa do Estado de São Paulo (FAPESP), Fundação Euclides da Cunha (FEC), and Universidade Federal Fluminense (UFF). The members of the Scientific Committee were: Mário Folhadela Benevides (COPPE- UFRJ), Fa ́bio Bertato (CLE-IFCH-UNICAMP), Jean-Yves Béziau (UFRJ), Ricardo Bianconi (USP), Juliana Bueno-Soler (UFABC), Xavier Caicedo (Universidad de Los An- des), Walter Carnielli (CLE-IFCH-UNICAMP), Oswaldo Chateaubriand Filho (PUC-Rio), Marcelo Esteban Coniglio (CLE-IFCH-UNICAMP), Newton da Costa (UFSC, President), Antonio Carlos da Rocha Costa (UFRG), Alexandre Costa-Leite (UnB), I ́tala M. Loffredo D’Ottaviano (CLE-IFCH-UNICAMP), Marcelo Finger (USP), Edward Hermann Haeusler (PUC-Rio), Décio Krause (UFSC), João Marcos (UFRN), Ana Teresa de Castro Martins (UFC), Maria da Paz Nunes de Medeiros (UFRN), Francisco Miraglia (USP), Luiz Car- los Pereira (PUC-Rio and UFRJ), Elaine Pimentel (UFMG), and Samuel Gomes da Silva (UFBA). The members of the Organizing Committee were: Anderson de Araujo (UNICAMP), Walter Carnielli (CLE-IFCH-UNICAMP), Oswaldo Chateaubriand Filho (PUC-Rio, Co- chair), Marcelo Correa (UFF), Renata de Freitas (UFF), Edward Hermann Haeusler (PUC- RJ), Hugo Nobrega (COPPE-UFRJ), Luiz Carlos Pereira (PUC-Rio e IFCS/UFRJ), Leandro Suguitani (UNICAMP), Rafael Testa (UNICAMP), Leonardo Bruno Vana (UFF), and Petrucio Viana (UFF, Co-chair). (shrink)

Meine Rekonstruktion von HeImholtz' Begründung der Energieerhaltung beabsichtigt, vor allem das Verhältnis von empirischen und nichtempirischen Elementen aufzuklären. Als erstes möchte ich zeigen, worin die nichtempirischen Elemente bestehen und dass Helmholtz bereits in der Einleitung, wo der selbständige Energiebegriff noch nicht entwickelt ist, an entscheidenden Stellen auf die wissenschaftliche Erfahrung Bezug nimmt. Im Gegensatz zur Transzendentalphilosophie macht Helmholtz die Geltungsbedingungen seines Mechanismus von zukünftigen empirischen Ergebnissen der Wissenschaft abhängig. Er gibt seinem Mechanismus in diesem Zusammenhang eine hypothetische Geltung, an deren (...) bloß vorübergehenden Charakter er aber bemerkenswerterweise keinen Zweifel hegt. (1.) Im zweiten Teil gehe ich der Frage nach, in welchem Maß die mit großer Siegesgewissheit vorgetragene mechanistische Begründung in die Formulierungen des Erhaltungssatzes Eingang findet. Helmholtz verwendet mehrere Energiebegriffe. Haben diese insgesamt oder nur teilweise einen von speziellen naturphilosophischen Annahmen unabhängigen Status? Auf welche Teile der Schrift hätte sich ein Wissenschaftler im vergangenen Jahrhundert stützen können, weIcher von der Energieerhaltung, nicht aber von Helrnholtz' Mechanismus überzeugt gewesen wäre? (2.). (shrink)

El propósito del presente estudio es afirmar la deuda de Husserl con la filosofía de Lotze durante el período de Halle. Mi interés se centra especialmente en el pensamiento del joven Husserl desde su llegada a Halle en 1886 hasta la publicación de su Hauptwerk en 1900-1901. Primero me remontaré a las fuentes del conocimiento de la filosofía de Lotze por parte de Husserl durante sus estudios con Brentano en Viena y después con Stumpf en Halle. Luego comentaré brevemente las (...) referencias de Husserl a Lotze en sus primeros trabajos y en sus manuscritos de investigación para el segundo volumen de su Filosofía de la aritmética. En la tercera sección, examino la influencia de Lotze en el giro antipsicologista de Husserl a mediados de la década de 1890. La cuarta sección es un comentario al manuscrito de Husserl titulado "Microcosmos", al cual se refiere explícitamente en sus Prolegómenos, y que planeaba publicar como anexo a sus Investigaciones lógicas. Esta obra contiene un análisis detallado del tercer volumen de la Lógica de Lotze de 1874. La última sección examina los argumentos de Husserl contra el psicologismo lógico en sus Prolegómenos, que yo expongo a través del prisma de la crítica de Stumpf al psicologismo en su artículo "Psicología y teoría del conocimiento". Sostengo que las primeras obras de Stumpf sobre este asunto hacen posible establecer una conexión entre la interpretación de Lotze de la teoría de las Ideas de Platón y el antipsicologismo de Husserl. Mi hipótesis es que los análisis de Stumpf representan el fondo de la crítica de Husserl al psicologismo lógico en sus Investigaciones lógicas. Concluiré este estudio mostrando que la posición de Husserl respecto de la filosofía de Lotze permanece básicamente la misma después de la publicación de sus Investigaciones lógicas, y que la principal crítica de Husserl a Lotze se refiere, en un último análisis, a la ausencia de una teoría de la intencionalidad en la filosofía de Lotze. (shrink)

Die Entwicklung von HeImholtz' Mechanismus ist durch einen Wandel im Geltungsanspruch gekennzeichnet und läßt sich in einer noch sehr groben Übersicht in zwei Perioden einteilen. Auf die erste Periode bis etwa zum Ende der 60er Jahre werde ich im ersten Teil meines Beitrages eingehen. Hier rekonstruiere ich umrißhaft die empiristische Begründung, die Helmholtz für den Wahrheitsanspruch seiner Naturauffassung gegeben hat. Im zweiten Teil werde ich dann die wichtigsten Merkmale der im Verlauf der 70er Jahre hervortretenden Hypothetisierungstendenz charakterisieren. Abschliessend will ich (...) in einem dritten Teil zeigen, wie Helmholtz auf der Grundlage seines gewandelten Wissenschaftsverständnisses das Programm einer mechanistischen Naturerklärung mit großem wirkungsgeschichtlichen Einfluß weiter verfolgt hat. (shrink)

Die von Helmholtz zur Begründung des Energieprinzips in der Einleitung zu seiner Schrift "Über die Erhaltung der Kraft" genannten Bedingungen der physikalischen Forschung teile Ich in zwei Gruppen. Die erste betrifft methodische und begriffliche Voraussetzungen, die zunächst unabhängig von Erfahrung gelten (1); die zweite schränkt diese Geltung ein, indem sie die Reichweite der Methode und die Bestimmung des Ziels der Forschung Erkenntnissen unterordnet, die allein in der Erfahrung gewonnen werden können (2). Nicht den allgemeinen Bedingungen der physikalischen Forschung, sondern speziellen (...) Forschungsergebnissen entnimmt Helmholtz dann die vermeintlichen Hinweise auf die mechanische, d. h. energieerhaltende Struktur der Natur (3). Dieser Argumentation entspricht es. daß er dem physikalischen Naturwissen einen, mit der Zeit abnehmenden hypothetischen Charakter zuweist(4). (shrink)

Nach einer kurzen Übersicht über das Leben und Werk von Helmholtz, diskutiere ich die drei Themenbereiche, die für die Beurteilung seines Verhältnisses zu Kant vornehmlich ins Gewicht fallen. Der erste Bereich bildet die Begründung des Energieerhaltungssatzes von 1847, den der späte Helmholtz selbst „durch Kant’s erkenntnistheoretische Ansichten […] beeinflusst“ gesehen hat. Während viele Interpreten diese Selbstauskunft für berechtigt halten, sehe ich in der Struktur der Begründung einen Ausdruck der gegensätzlichen Wissenschaftsauffassungen von Helmholtz und Kant. Als zweites gehe ich auf die (...) Rolle der Kausalität in der Wahrnehmungstheorie ein. In diesem Kontext bezieht sich Helmholtz erstmals und durchaus positiv explizit auf Kant. Seine Rede "Über das Sehen des Menschen" von 1855 zur Einweihung eines Kantdenkmals in Königsberg gilt als eines der Gründungsdokumente des Neukantianismus und spiegelt doch zugleich die tiefgreifenden Differenzen zwischen empiristischer und idealistischer Wissenschaftsphilosophie wider. Zeitlich wiederum nachfolgend steht die Begründung der nichteuklidischen Geometrien als dritter Bereich für die deutlichste Kritik an Kants transzendentaler Begründung der Wissenschaft. Sie ist zugleich wohl auch Helmholtz’ bekanntester Beitrag zur Hypothetisierung der Wissenschaftssauffassung. -/- der Gründungsdokumente des Neukantianismus und spiegelt doch zugleich die tiefgreifenden Differenzen zwischen empiristischer und idealistischer Wissenschaftsphilosophie wider. Zeitlich wiederum nachfolgend steht die Begründung der nichteuklidischen Geometrien als dritter Bereich für die deutlichste Kritik an Kants transzendentaler Begründung der Wissenschaft. Sie ist zugleich wohl auch Helmholtz’ bekanntester Beitrag zur Hypothetisierung der Wissenschaftssauffassung. Dem Werk von Hermann von Helmholtz wird gemeinhin ein maßgeblicher Stellenwert bei der Begründung der neukantianischen Bewegung im 19. Jahrhundert beigemessen. Wo diese Zuordnung Helmholtz’ positive Bezüge auf Immanuel Kant ohne hinreichende Kontextualisierung hervorhebt, läuft sie Gefahr, die Distanz zu übersehen, die zwischen den wissenschaftsphilosophischen Positionen von Helmholtz und Kant bestand. In meinem Beitrag gewinnt das Verhältnis von Helmholtz zu Kant erst seine Bedeutung vor dem Hintergrund ihrer konträren ontologischen und erkenntnistheoretischen Grundannahmen. Helmholtz betrachte ich als repräsentativen Vertreter einer szientistischen Wissenschaftsauffassung in der Naturforschung des 19. Jahrhunderts. Demgegenüber bietet Kant ein paradigmatisches Beispiel einer metaphysischen Wissenschaftsbegründung. Im Gegensatz zu Kant beschränkt Helmholtz seinen Ausgangspunkt nicht auf erfahrungsfreie Prinzipien, sondern entwickelt und stützt seine Begründung des Geltungsanspruches der wissenschaftlichen Erkenntnis auf forschungsbewährte Theorien und Experimente. Eine Differenz zwischen den beiden Positionen findet sich ebenfalls in den Strukturen der jeweils vertretenen Naturkonzeptionen. Führt Kants dynamischer Mechanismus alle Eigenschaften der Materie auf Kräfte zurück, so geht Helmholtz von einer Dualität von Kraft und Materie aus. (shrink)

Commentaires sur le débat nativisme-empirisme au XIXe siècle et la théorie des signes locaux de Lotze.

Aus dem vielfältigen Werk von Hermann von Helmholtz versammelt diese Ausgabe die im engeren Sinne philosophischen Abhandlungen, vor allem zur Wissenschaftsphilosophie und Erkenntnistheorie, sowie Vorträge und Reden, bei denen der Autor seine Ausnahmestellung im Wissenschaftsbetrieb nutzte, um die Wissenschaften und ihre Institutionen in der bestehenden Form zu repräsentieren und zu begründen. Ein Philosoph wollte Helmholtz nicht sein, aber er legte der philosophischen Reflexion wissenschaftlicher Erkenntnis und wissenschaftlichen Handelns große Bedeutung bei. Vor allem bezog er, in der Regel ausgehend von (...) seinen fachwissenschaftlichen Forschungen, in den verschiedensten Kontexten zu erkenntnistheoretischen und methodologischen Problemen der Wissenschaften Stellung. Bereits »Ueber die Erhaltung der Kraft« (1847) lässt erkennen, wie verwoben naturwissenschaftliche Grundlagenforschung und philosophische Grundlagenreflexion in seinem Werk sind. Die aus den frühen sinnesphysiologischen Forschungen hervorgegangene empiristische Wahrnehmungslehre trug ihm den Ruf ein, ein maßgeblicher Vertreter des Neukantianismus zu sein. Spätere Arbeiten v.a. zur Geometrie und Arithmetik – das zeigt die vorliegende Ausgabe – stellen jedoch eine radikale Absage an den konstitutiven Kern des Kantianismus (nämlich die Existenz synthetischer Urteile a priori) dar. Helmholtz’ philosophische Beiträge sind bisher in ihrer Vollständigkeit nicht annähernd so gut zugänglich wie sein naturwissenschaftliches Werk. Die Ausgabe enthält außerdem bibliographische Vorberichte zur Einordnung, detaillierte Namens- und Sachregister sowie mit 575 Einträgen für den Zeitraum zwischen 1842 und 2012 die erste umfassende Bibliographie von Helmholtz verfasster Werke überhaupt. »Ich glaube, dass der Philosophie nur wieder aufzuhelfen ist, wenn sie sich mit Ernst und Eifer der Untersuchung der Erkenntnissprocesse und der wissenschaftlichen Methode zuwendet. Da hat sie eine wirkliche und berechtigte Aufgabe.« Helmholtz in einem Brief um 1875. (shrink)

Hermanns Lotze (1817–1881) hat nachweislich einige der bedeutendsten Philosophen des fin de siècle beeinflusst: (i) die britischen „Neo-Hegelianer“; (ii) Husserls Phänomenologie; (iii) Diltheys Philosophie des Lebens; (iv) die Neukantianer; (v) die frühere analytische Philosophie. Das angegebene Ziel seines dreibändigen Mikrokosmos (1856–1864) war „die Reflexion über den Sinn unseres menschlichen Daseins“. Die Aktualität dieser Aufgabe war eine Folge der wissenschaftlichen und industriellen Revolution Mitte des 19. Jahrhunderts. Sie veränderte die Art, wie sich die Menschen das Universum vorstellten. Lotze sah Gefahr in (...) den zahlreichen Versuchen seitens einiger philosophisch interessierter Wissenschaftler in Deutschland, zu beweisen, dass das menschliche Sein nur mechanisch und materialistisch zu verstehen ist. Er machte es sich zur Aufgabe, den Menschen das Gefühl von Heimat in dieser stark veränderten Welt zurückzugeben. Dies erklärt auch, wieso Lotze seine Untersuchung in „völlig populärer Form“ darstellte. Lotzes Mikrokosmos war jedoch nicht nur ein Werk der populären Philosophie. Sie fußt auf fundierten theoretischen Überlegungen. Man kann Lotzes Werk als einen gewagten Versuch betrachten, die sich abzeichnende Spaltung zwischen akademischer und populärer Philosophie zu überwinden. (shrink)

Helmholtz initially ascribes more to theoretical knowledge than merely that it is a picture of the world: it penetrates even to the unobservable causes of the phenomena which he conceived throughout his career as matter set mechanically in motion. The introduction of the picture-concept in the 1860s to characterize scientific theories marks the beginning of the loss of a direct connection with the world. Theories now constitute only a representation of a law-like structure of the world but no longer shed (...) light on the objects themselves. Beginning in the late 1870s, this knowledge of laws takes on an increasingly hypothetical character. (shrink)

The paper focuses on the problem of anthropodicy in the philosophical system of Hermann Cohen and its interpretation by Jacob Gordin (1896—1947). Gordin was one of the last followers of Cohen in Russia. He developes his interpretation in the lecture “Anthropodicy”, which was given in the Philosophical Circle at the Petrograd University in December 1921. For the study of the problem of anthropodicy he was apparently inspired by the discussions at the Free Philosophical Association in 1919—1921. Gordin places Cohen’s (...) concept of man in the wide intellectual context given by the ideas of the Russian religious philosophy, German classical philosophy, Neo-Kantianism, and the West European and Jewish mysticism (cabbala). Gordin compares Cohen’s anthropodicy with Vladimir Soloviev’s one and shows that there is a similarity in their approaches. Both philosophers point out that the justification of man is possible only in form of the justification of humanity and not as for Berdyaiev in form of the justification of personality. But Gordin uses Soloviev’s concept of all-unity and Berdyaiev’s concept of creativity in order to “improve” Cohen’s conception and to reveal the contribution of a person to the justification of humanity. Stronger as Cohen Gordin connects the programm of anthropodicy with individuality and underlines the participation of the individual in creating culture. (shrink)

As a philosopher, psychologist, and physician, the German thinker Hermann Lotze defies classification. Working in the mid-nineteenth-century era of programmatic realism, he critically reviewed and rearranged theories and concepts in books on pathology, physiology, medical psychology, anthropology, history, aesthetics, metaphysics, logic, and religion. Leading anatomists and physiologists reworked his hypotheses about the central and autonomic nervous systems. Dozens of fin-de-siècle philosophical contemporaries emulated him, yet often without acknowledgment, precisely because he had made conjecture and refutation into a method. In (...) spite of Lotze's status as a pivotal figure in nineteenth-century intellectual thought, no complete treatment of his work exists, and certainly no effort to take account of the feminist secondary literature. Hermann Lotze: An Intellectual Biography is the first full-length historical study of Lotze's intellectual origins, scientific community, institutional context, and worldwide reception. (shrink)

Der Verzicht auf absolut gültige Erkenntnis, heute in den Naturwissenschaften beinahe schon selbstverständlich, ist erst jüngeren Datums. Noch im vergangenen Jahrhundert zweifelte die experimentelle Forschung kaum an der vollkommenen Begreifbarkeit der Welt. Diesen Wandel zu erkunden und aufzuzeigen ist Thema der vorliegenden Studie. Der erste Teil präsentiert verschiedene Typen neuzeitlicher und moderner Wissenschaftsauffassungen von Galilei über Newton bis hin zu Kant. Im zweiten Teil werden Entwicklung und Wandel der Wissenschafts- und Naturauffassung bei Helmholtz (1821-1895) erstmals mittels detaillierter Textanalysen einer umfassenden (...) Rekonstruktion unterzogen. Die Relativierung des Wahrheitsanspruchs erlaubt es Helmholtz, seine Naturauffassung trotz der antimechanistischen Kritik innerhalb der Physik, die im letzten Viertel des vergangenen Jahrhunderts laut wurde, als Hypothese aufrechtzuerhalten. Auch gewährt die Studie eine neue Sichtweise des Verhältnisses zwischen Helmholtz und Kant, das in der Vergangenheit kontroverse Beurteilungen erfuhr. (shrink)

The article includes a short biography of Hermann of Dalmatia and gives an account of his translations and philosophical and scientific work. In order to have a better understanding of Hermann’s philosophy, a reminder of Greek and Arabic philosophy of nature, on which he relies in his interpretation of the world picture, needs to be presented. Cosmological models by Plato, Aristotle, Eudoxus, Heraclides of Pont, Apollonius of Perga, Hipparchus, Ptolemy, and the Arab scientist Abu Ma’shar, are presented. The (...) main focus of interest is on Hermann’s translations. The immense importance of his translations from Greek and Arabic into Latin is due to the fact that some of the seminal Greek and Arabic works became known in Western Europe in the middle of the twelfth century. Hermann is also important as the author of the original work De essentiis, which presented a blend of Platonian and Aristotelian as well as Western European and Arab traditions. (shrink)

Die Psychologie hat sich im zweiten Viertel des 19. Jahrhunderts langsam zu einer autonomen Disziplin entwickelt. Im Unterschied zu den anderen Figuren in dieser Entwicklung, Johann Friedrich Herbart, Ernst Heinrich Weber und Gustav Theodor Fechner, hat Lotze in seiner Medicinische Psychologie (1852) von Anfang an die neue Disziplin, die Psychologie, konsequent in enger Verbindung mit der Philosophie entwickelt. Damit hat er die Hoffnung gebremst, die Psychologie völlig experimentellen Untersuchungen zu überlassen, die um diese Zeit schon viele gepflegt haben. Lotze scheute (...) sich jedoch, diese Disziplin „philosophische Psychologie“ zu benennen. Sie war für ihn nur physiologische Psychologie, herausarbeitet mit Hilfe der Philosophie. Sie stellt nur Tatsachen fest, untersucht wie Körper und Seele sich zueinander verhalten und dies nicht nur empirisch, sondern auch „metaphysisch“. (shrink)

Mit seinem Einfluß auf die Entwicklung der Physiologie, Physik und Geometrie ist Hermann von Helmholtz wie kaum ein anderer Wissenschaftler der zweiten Hälfte des 19. Jahrhunderts repräsentativ für die Naturforschung in Deutschland. Nicht weniger repräsentativ nimmt sich die Entwicklung seiner Wissenschaftsauffassung aus. Während er bis in die späten 60er Jahre einen emphatischen Wahrheitsanspruch der Wissenschaft vertrat, begann er in der nachfolgenden Zeit, die Geltungsbedingungen der wissenschaftlichen Erkenntnis einer Relativierung zu unterwerfen, die zusammenfassend als Hypothetisierung bezeichnet werden kann. Helmholtz entwickelte (...) damit schon im vergangenen Jahrhundert Ansätze einer Wissenschaftsauffassung , die in erstaunlichem Umfang in die Richtung der Moderne weisen. Wie nah er späteren Wissenschaftsauffassungen bereits gekommen ist, kann ein Vergleich mit Karl R. Poppers Forschungslogik illustrieren. In seiner Forschungslogik ist die Hypothetisierung der wissenschaftlichen Erkenntnis entschieden weiter vorangeschritten als in Heimholtz' Wissenschaftstheorie. Was sich bei Helmholtz erst vage abzuzeichnen beginnt, ist bei ihm bereits explizit formuliertes Programm geworden. Obwohl HeImholtz und Popper in keiner direkten wissenschaftstheoretischen Entwicklungslinie stehen und Popper sich in seinen Schriften auch nur sehr selten und beiläufig auf Helmholtz bezieht, finden sich dennoch überraschende und bisher nicht beachtete Berührungspunkte, die insbesondere dann hervortreten, wenn man Heimholtz' Wissenschaftsauffassung vor dem Hintergrund von Poppers Forschungslogik betrachtet. (shrink)

The philosophical question "what is?" plays different roles in the work of Cohen and Rosenzweig. According to Cohen, it expresses the authentic meaning of the Socratic concept, which has its methodical-transcendental foundation in the Platonic Idea as answer, since it gives an account of the concept. So Cohen turns the question into an epistemological problem, because it ultimately refers to the necessary condition of knowledge. In contrast, Rosenzweig sees in the "what is?" question grounds to condemn the "old" philosophy founded (...) on the identity of being and thought. In his view, the question is the original sin of the "philosophy of the All", which has always reduced everything to something completely different by means of the altering word "is" in the "is"-question. Nevertheless, with regard to the "what is?" question, it is possible to detect a kind of agreement between the two philosophers: namely, Rosenzweig opposes a claim of ontological reduction that Cohen also rejects. (shrink)

Der Aufsatz wurde zum Anlass des 25. Todestages von Hermann Buddensieg geschrieben. Es wird bestrebt an, die Gestalt dieses Übersetzers, Dichters, Literaturforschers, Philosophen und Publizisten zu erinnern. Es ist ein Versuch, die bisherigen Forschungsergebnisse zu sammeln und unser Wissen über die Aktivität eines Menschen zu ordnen, der in der Geschichte der Aufnahme der polnischen Literatur und Kultur in Deutschland eine Sonderstellung hat. Eine besondere Bedeutung wird seiner kongenialen Übertragung von Pan Tadeusz, seinem Vorsitz bei dem Mickiewicz-Gremium und der Redaktion (...) der „Mickiewicz-Blätter” zu geschrieben. (shrink)

Carl Stumpf (1848–1937) is a key figure in the fin de siècle germanophone philosophy. Unfortunately, after the World War One, the interest towards Stumpf as a philosopher waned. One of the reasons was that already in the 1920s the attention of the mainstream philosophers shifted in direction of the rising rivalry between analytic and continental philosophy. The interest towards Carl Stumpf’s philosophy was revived only in the last twenty years or so. Great service in this provided the Neo-Brentanists. But while (...) the association of Carl Stumpf with Franz Brentano fostered Stumpf studies, it also gave rise of one-sided interpretations of Stumpf as a philosopher. In this way his importance and idiosyncrasy as philosopher remained in shadow. (shrink)

Cohen’s “Logic of Pure Knowledge” marks a transformation of transcendental philosophy through its new and radical interpretation of pure thinking. For Cohen, thought is in its essence creative and needs no external elements in order to produce knowledge. This study is an attempt to reconstruct the way in which Cohen understands how thinking can create its pure content from nothing. My thesis is that Kant’s distinction between the determinable and the determining I offers the theoretical context in which the productivity (...) of thinking in Cohen’s system can be understood. Thinking creates its pure content by questioning the nothing that stands before it. (shrink)

Tschumi believes that the quality of architecture depends on the theoretical factor it contains. Such a view led to the creation of architecture that would achieve visibility and comprehensibility only after its interpretation. On his way to creating such an architecture he took on a purely philosophical reflection on the basic building block of architecture, which is space. In 1975, he wrote an essay entitled Questions of Space, in which he included several dozen questions about the nature of space. The (...) questions he formulated could be regarded as analogous to the situation in the philosophy of the time, in which the interest in questioning the most obvious forms of understanding the world and intellectual categories increased. The research on space is an area common to many fields of natural sciences, humanities and artistic creation, but it also deals with other problems, such as issues of experience. The concept of space-time continuum proposed by Hermann Minkowski drew attention to the identity of time and space with the events taking place. Probably regardless of the postulates of physicists commenting on Einstein’s discoveries, also in philosophy it increased the importance of the concept of the event which became dominant in Heidegger’s latest work Contributions of Philosophy. Of the event. Furthermore, Tschumi’s reflections on space entered into relation with the problem of experience, which aroused the interest of a group of French philosophers trying to assimilate Georges Bataille’s concept of “inner experience”. Both Tschumi and Derrida referred to Bataille because his views could be used not only to modify the concept of the subject, but also to change the understanding of what constitutes the area of architecture. The discussion on experience has led to the recognition that the subject is not sovereign, but actually a form of what is on their outside. Such insights make it possible to treat the area of the Parc de La Villette as existing mainly when it is organised by its users. The decisive features of the Park are its assumptions, according to which it is a variety of active void that leads to agreeing new social relations with it. The park does not force to participate in already existing moral or political communities, but tries to move into an unknown future in which the scope of free functioning of individuals will be increased. Doubts about the principles of functioning of the individual self and its discovery as a whole composed of non-coherent parts, as well as its dependence on its own depth full of disordered forces, influenced the understanding of architecture as a set of contradictions whose source is a fundamental void anticipating the empty phenomenal space. The use of this phenomenal void in architecture, as well as the rejection of the whole and unity, had a specific political purpose and drew its inspiration from political analyses. In the Parc de La Villette, metaphysics and politics were brought closer together because the philosophy of void was used to create new conditions for community action. It can be argued that the source of this philosophy was the perception of errors in existing societies dependent on the shortcomings of traditional metaphysics. Spacing (espacement) was one of the key terms in Derrida’s philosophy, which was also combined with the concepts of différance and chôra. The study of the nature of space, especially its transition from the level of pure possibility to the level of sensual phenomenon, also contributes to understanding how well designed space can have an impact on its audience. This explanation is based on Tschumi’s assumption that the space of the Parc de La Villette contradicts the integrating approaches and instead exposes contradictions, but it does so in a way that combines incompatible properties into a single piece of architecture. The specificity of such integration is similar to the invention of a musical phrase, which is an ideological message: moral and political. Such a thesis may raise doubts, however, if both the clearly adopted assumptions and those deduced from the work allow for their ↪Quart Nr 2(52)/2019 logically ordered presentation then to a limited extent it may be assumed that the work has achieved a connection between a specific philosophy of space and its practical application. Derrida combined the problem of spatiality with the problem of transcendental imagination in Kant’s philosophy, who in the first version of Critique of Pure Reason assumed that pure imagination precedes the appearance of time and space, even in their transcendental forms. The imagination in such a situation can be described as a factor activating time and space, which indicates what function is played by movement in this activity. This leads us to recognize that the ultra originary source of pure forms of sensual intuition is movement, which in early Greek philosophy was identified with void and its lack of resistance to phenomena occurring in it. Derrida’s philosophy in search of a certain super-transcendental source of time and space pointed to différance which, like void or the chôra, does not have material features or even any other form of being. Différance is the primary cause of the disruption of motionlessness and the introduction of activity into motionless time and space, thus its activity can be described as spacing (espacement). Derrida’s discoveries in this respect are not entirely original, because Hegel already pointed out when examining the present that it is primarily a differential relation (differente Beziehung), which, being seemingly neutral, influences the present with supernatural force and makes it unidentifiable with itself. Differente Beziehung must similarly influence the originary space, negating its initial character by multiplying its divisions and expanding its boundaries. Différance acts by revealing contradictions wherever there is apparent undifferentiation. Tschumi, composing the Parc de La Villette as a variety of void and a set of incompatible layers, followed the rules of différance or the chôra: he made void visible together with its saturation with contradictions. If space can be considered to be the result of the activity of difference, such activity has a certain regularity, which influences the behaviour of its observers. Differences or contradictions fall into a certain rhythm, which can be considered a manifestation of transcendent order. The problem is that what can be considered the source of such order, namely the logos or God, is partly disorder and error. According to descriptions contained in Timaeus, the world is a combination of forces that drive to order with forces of erroneous necessity that resounds in every order and forces it to return to disorder. Derrida denied the possibility of understanding différance as a theological value, even if it were a negative or apophatic theology, but no categorical denial could be perfect. The assumption that différance or the chôra are not endowed with any substance properties cannot deny their activity, and thus a certain force. Already since Democritus, philosophy has multiplied the names of such a force and the contradictory variety of its manifestations, never forgetting also the necessity for reason to withdraw from the possibility of giving its correct characteristics. Such a withdrawal may be interpreted as an expression of respect and, in certain situations, as a cult of the force that precedes reasonableness. The Parc de La Villette, which is an artistic divagation about the contradictions and forces behind them, can be considered as a place of their sublimation, and therefore as a variation of the temple of what differs from order and disorder. (shrink)

The Shadow of God in the Philosopher’s Garden. The Parc de La Villette in Paris in the context of the philosophy of chôra I Bernard Tschumi’s project of the Parc de La Villette could have won the competition and was implemented thanks to the political atmosphere that accompanied the victory of the left-wing candidate in the French presidential elections in 1981. François Mitterand’s revision of the political programme and the replacement of radical reforms with the construction of prestigious architectural objects (...) and urban assumptions in the French capital gave Tschumi a unique opportunity to realise ideas that polemicised with traditional forms of social life, questioned the basic principles of architecture and included architectural work in the philosophical disputes over the issues of metaphysics. Tschumi’s theoretical assumptions put forward during the design of the Parc de La Villette highlighted the questions of conflict between the main components of the project and suggested that the intensification of differences was analogous to Jacques Derrida’s creation of the concept of différance. It was this philosopher who in a special commentary to Derrida’s project also introduced the concept of maintenant, which aimed at demonstrating that the architect’s polemical inclinations remain in a hidden balance with his inclinations to affirmation of architectural principles. During the discussion between Derrida and Peter Eisenman, who was to take part in the design of the Parisian park, the concept of the chôra was also put forward, which in the course of the debate led to an additional confusion of architectural and philosophical problems. II In the period from the Antiquity to the Renaissance, the dialogue Timaeus was the most frequently commented work of Plato. At present, the most frequently discussed is the issue of the chôra included in it, which aroused fascination among philosophers, researchers of rhetoric, religion, feminism, but also architecture. The work on the chôra also influenced the development of the interpretation of the Parc de La Villette, among which the topics related to the beginning and the change were highlighted. In early uses of the word chôra in Greek, as in Homer’s 18th Book of Iliad, it meant both dancing and a place to dance. On this occasion, it can be seen that it is not possible to determine which phenomenon took precedence in the creation of the name. It cannot be denied, however, that the word concerned a specific movement, as if circular and returning to an indefinable beginning. Despite gaining more and more general meanings, the word chôra has retained its connection with the dance of people on the threshing floor, the dance of bees (choros meliton) or the dance of stars (choros astron). In Timaeus, the chôra is a space filled with movement with an effect similar to shaking the sieve to husk the grain: it separates similar elements from the dissimilar ones. The juxtaposition of the Parc de La Villette and the chôra already at this stage leads to the suggestion that the park was treated by the architect as a place of dynamic changes leading to the establishment of new social solutions. In his statements, the architect confirmed that the park was to be a space of new politics and ethics. The book by Julia Kristeva La Révolution du langage poétique contributed to the spread of the belief that works of art can play a role as factors of political revolution. In this work, the author put forward the thesis that the chôra is a kind of space, the character of which has a destructive influence on attempts to conclude language games. The chôra gives beginning to words, but at the same time, by leaving a trace of this beginning it forces us to renew their meanings. The chôra understood in this way, turns out to be an irremovable beginning, to which one has to return all the time. Kristeva found manifestations of the chôra’s activity in avant-garde French poetry, to which she attributed the role of a mediator between criticism of metaphysics and aspirations for social change. The chôra, violating the language, introduces some voids into it, as if traces of the abyss, which direct the consciousness towards understanding the necessity of political changes. The Parc de La Villette was to pursue similar objectives in the city space. In his essays, Tschumi considered the problems of creating spaces that would give rise to a radical democracy. The proposed rebellious spaces should have the characteristics of a void, in which contradictory forces would occur as forms of pure activity. The means of achieving this goal was to concentrate contradictions and make them visible. The Parc de La Villette was supposed to collect differences as indelible and at the same time by showing them it was supposed to raise awareness of the social world as a conglomerate of differences. Saturation of the space of the park with subversive values results from the character of this space suppressed in the consciousness, as well as from the social diversity which has not been taken into account so far. The main contradictions contained in space relate to the division that exists between its presentation as a mental problem and a sensual one. The park was the deliberate creation of a place that transcends such a division and creates a separate space for negotiation between architectural theories and its practical applications. The purpose of the park was to become a place of future events, which would not hide their conflicting character coming from diversity of both space and society. The method of composition usually aimed at achieving a harmonious whole has been replaced by Tschumi with a system of juxtaposition of non-coherent elements or those resulting from variations and transformations. Tschumi did not seek direct influence on politics in the Parc de La Villette, but made room for thinking about the possibilities of the future. He introduced problems rather than showed solutions to them. The task of the park was to put the principles of architecture into a kind of vibration that would inspire users to participate in the new community. III Tschumi believes that the quality of architecture depends on the theoretical factor it contains. Such a view led to the creation of architecture that would achieve visibility and comprehensibility only after its interpretation. On his way to creating such an architecture he took on a purely philosophical reflection on the basic building block of architecture, which is space. In 1975, he wrote an essay entitled Questions of Space, in which he included several dozen questions about the nature of space. The questions he formulated could be regarded as analogous to the situation in the philosophy of the time, in which the interest in questioning the most obvious forms of understanding the world and intellectual categories increased. The research on space is an area common to many fields of natural sciences, humanities and artistic creation, but it also deals with other problems, such as issues of experience. The concept of space-time continuum proposed by Hermann Minkowski drew attention to the identity of time and space with the events taking place. Probably regardless of the postulates of physicists commenting on Albert Einstein’s discoveries, also in philosophy it increased the importance of the concept of the event which became dominant in Martin Heidegger’s latest work Contributions of Philosophy: Of the event. Furthermore, Tschumi’s reflections on space entered into relation with the problem of experience, which aroused the interest of a group of French philosophers trying to assimilate Georges Bataille’s concept of “inner experience”. Both Tschumi and Derrida referred to Bataille because his views could be used not only to modify the concept of the subject, but also to change the understanding of what constitutes the area of architecture. The discussion on experience has led to the recognition that the subject is not sovereign, but actually a form of what is on their outside. Such insights make it possible to treat the area of the Parc de La Villette as existing mainly when it is organised by its users. The decisive features of the park are its assumptions, according to which it is a variety of active void that leads to agreeing new social relations with it. The park does not force to participate in already existing moral or political communities, but tries to move into an unknown future in which the scope of free functioning of individuals will be increased. Doubts about the principles of functioning of the individual self and its discovery as a whole composed of non-coherent parts, as well as its dependence on its own depth full of disordered forces, influenced the understanding of architecture as a set of contradictions whose source is a fundamental void anticipating the empty phenomenal space. The use of this phenomenal void in architecture, as well as the rejection of the whole and unity, had a specific political purpose and drew its inspiration from political analyses. In the Parc de La Villette, metaphysics and politics were brought closer together because the philosophy of void was used to create new conditions for community action. It can be argued that the source of this philosophy was the perception of errors in existing societies dependent on the shortcomings of traditional metaphysics. Spacing (espacement) was one of the key terms in Derrida’s philosophy, which was also combined with the concepts of différance and chôra. The study of the nature of space, especially its transition from the level of pure possibility to the level of sensual phenomenon, also contributes to understanding how well designed space can have an impact on its audience. This explanation is based on Tschumi’s assumption that the space of the Parc de La Villette contradicts the integrating approaches and instead exposes contradictions, but it does so in a way that combines incompatible properties into a single piece of architecture. The specificity of such integration is similar to the invention of a musical phrase, which is an ideological message: moral and political. Such a thesis may raise doubts, however, if both the clearly adopted assumptions and those deduced from the work allow for their logically ordered presentation then to a limited extent it may be assumed that the work has achieved a connection between a specific philosophy of space and its practical application. Derrida combined the problem of spatiality with the problem of transcendental imagination in the philosophy of Immanuel Kant, who in the first version of Critique of Pure Reason assumed that pure imagination precedes the appearance of time and space, even in their transcendental forms. The imagination in such a situation can be described as a factor activating time and space, which indicates what function is played by movement in this activity. This leads us to recognize that the ultra originary source of pure forms of sensual intuition is movement, which in early Greek philosophy was identified with void and its lack of resistance to phenomena occurring in it. Derrida’s philosophy in search of a certain super-transcendental source of time and space pointed to différance which, like void or the chôra, does not have material features or even any other form of being. Différance is the primary cause of the disruption of motionlessness and the introduction of activity into motionless time and space, thus its activity can be described as spacing (espacement). Derrida’s discoveries in this respect are not entirely original, because Georg Wilhelm Friedrich Hegel already pointed out when examining the present that it is primarily a differential relation (differente Beziehung), which, being seemingly neutral, influences the present with supernatural force and makes it unidentifiable with itself. Differente Beziehung must similarly influence the originary space, negating its initial character by multiplying its divisions and expanding its boundaries. Différance acts by revealing contradictions wherever there is apparent undifferentiation. Tschumi, composing the Parc de La Villette as a variety of void and a set of incompatible layers, followed the rules of différance or the chôra: he made void visible together with its saturation with contradictions. If space can be considered to be the result of the activity of difference, such activity has a certain regularity, which influences the behaviour of its observers. Differences or contradictions fall into a certain rhythm, which can be considered a manifestation of transcendent order. The problem is that what can be considered the source of such order, namely the logos or God, is partly disorder and error. According to descriptions contained in Timaeus, the world is a combination of forces that drive to order with forces of erroneous necessity that resounds in every order and forces it to return to disorder. Derrida denied the possibility of understanding différance as a theological value, even if it were a negative or apophatic theology, but no categorical denial could be perfect. The assumption that différance or the chôra are not endowed with any substance properties cannot deny their activity, and thus a certain force. Already since Democritus, philosophy has multiplied the names of such a force and the contradictory variety of its manifestations, never forgetting also the necessity for reason to withdraw from the possibility of giving its correct characteristics. Such a withdrawal may be interpreted as an expression of respect and, in certain situations, as a cult of the force that precedes reasonableness. The Parc de La Villette, which is an artistic divagation about the contradictions and forces behind them, can be considered as a place of their sublimation, and therefore as a variation of the temple of what differs from order and disorder. IV In the texts that presented the theoretical assumptions of the Parc de La Villette, Tschumi used a large number of terms that contradicted not only the traditional principles of composing architecture, but also negated the rules of social order and the foundations of Western metaphysics. Tschumi’s statements, which are a continuation of his leftist political fascinations from the May 1968 revolution, as well as his interest in the philosophy of French poststructuralism and his collaboration with Derrida, prove that terms such as “disruption”, “dissociation”, “disfunction”, “disjunction” and “dispersion” not only referred to architectural problems but also applied to political criticism and the deepest foundations of thinking itself. His collaboration with Derrida manifested itself primarily in the publication La Case Vide: La Villette 1985, in which the architect’s design drawings and texts explaining his concepts related to the Parc de La Villette were accompanied by an extensive essay by Derrida, which included theoretical problems taken up by Tschumi in a philosophical context. Architectural and philosophical issues were also combined during seven discussion meetings organised by Eisenman, invited by Tschumi to collaborate on the design of the Parc de La Villette. Eisenman, who, like Tschumi, invited Derrida to participate in the design of the park and also led to the publication of Chora L Works: Jacques Derrida and Peter Eisenman, in which his ideas were confronted with Derrida’s philosophical text. In this case, Derrida’s essay was not a direct commentary on the architect’s concepts, but rather a reflection on the question of the chôra presented by Plato in Timaeus. During the discussion and in his essay, Derrida pointed out that the chôra is a component of the created world, yet it does not belong to it, but precedes it. The originality of the chôra is so radical that she also precedes all the factors of creating the world, including ideas and the Demiurge. Thus athesis appeared in the metaphysics of the West that the chôra is a form of active abyss, in relation to which all beings are secondary, both those perfect (as ideas or God) and those created, such as the world, things, people or language. This leads to the conclusion that the chôra does not exist, because all existence is a derivative of the chôra. Nor could the chôra be described, since it is a form of developing a space that is preceded by a lack of space characteristic of the chôra. Derrida intended the chôra to be an instance with an exceptional degree of transcendentalism, an anti-metaphysical instance, but also an a-theological one. However, this attempt failed, both in the field of secular philosophy and in the field of theology. Derrida’s characteristics of the chôra to strengthen its transcendentalism and negation of metaphysics had to be expressed in a language that immediately produces new concepts and a new metaphysics that reproduces the categories of the beginning, the origin or the foundation known from earlier philosophical traditions. All forms of criticism of metaphysics are also inspired by negative, apophatic and mystical theology. The undermining of many concepts of permanent meaning and the introduction of new concepts of unstable meaning, characteristic of the philosophy of deconstruction, had many features of originality, but it was directed towards problems whose solutions repeat, with the use of new vocabulary, the findings known in culture since Democritus. Thus, if apophatic philosophy can be regarded as deconstruction avant la lettre, then deconstruction itself in its late versions began to take on the features of a new religion. The exchange of inspiration between theology and deconstruction was manifested in a series of scientific conferences and publications in which Derrida’s philosophical concepts were interpreted within the scope of religious thought. Theological threads began to be found in such concepts of deconstruction as différance or the chôra, while at the same time Derrida himself undertook in his philosophy to study problems such as the Other (L’Autre) or the Impossible (Impossible), which belonged to newer theological traditions. As a consequence of the new problems, the deconstruction became closer to the features of a new religion. Philosophy, at least from Kant’s time, has tried to create a system that would take over from religion the tasks of setting moral and political goals. Similarly, Derrida has directed his interest towards the problems of democracy and ethics, which would enable their renewal. Attempts to create a new religion (cleared of old metaphors), a new community or a new democracy bring problems and threats which may be no less troublesome than the previous systems. All promises of freedom carry with them threats, the greater the more they strive for perfection. The renewal of existential orders, sometimes carried out by means of violent changes, is a certain repetitive feature of human cultures. Deep changes, however, do not protect against the return of both old gods and old demons. Tschumi and Derrida were shaped in their youth by the atmosphere of leftist rebellion against the moral and political limitations of ossified communities and the imperfections of democracy. The ethical theme distinguishes many of their works, including the Parc de La Villette. The opposition to the metaphysical traditions of philosophy and architecture contained in this park was prompted by specific political situations and resulted from bringing political issues to the level of philosophical considerations. Achievements made at the level of pure concepts were then subject to elevation, to a kind of sacralization, which made them religious concepts. The deconstruction reached for the status of the new religion especially when it found its followers and began to generate moral obligations. In the new situation, terms such as the chôra, l’Autre or the Impossible were absolutized and in relation to them a cult and attitude of adoration emerged. The Parc de La Villtette then gained new post-secular meanings, which allow it to be assigned the function of a Temple of Otherness (L’Autre) and Impossible. V In the traditional sense, a work of art creates an illustration of the outside world, or of a certain text or doctrine. Sometimes it is considered that such an illustration is not literal, but is an interpretation of what is visible, or an interpretation of a certain literary or ideological message. It can also be assumed that a work of art creates its own visual world, a separate story or a separate philosophical statement. Parc de La Villette represents the last of these possibilities: it is a philosophical statement that develops the premises derived from poststructuralist philosophies and the philosophy of deconstruction. The uniqueness of its being status, however, is that it does so not only at the level of the theoretical assumptions, but also through its functioning as an active philosophical work. This means that a park is a happening philosophy. Its activity, however, does not refer only to the present tense, but is also an attempt to penetrate the future, all otherness and impossibility. This kind of activity assumes that the work, in a sense, does not yet fully exist, but is also still produced in the processes of its interpretation. The theoretical foundations of the park included texts by Tschumi, in which he questioned traditional ways of creating a work of architecture, postulating in return the use of a long series of negations, which were comparable to the crisis of metaphysics characteristic of contemporary philosophy. It is therefore no coincidence that the publication containing Tschumi’s theoretical text on Parc de La Villette was accompanied by an essay by Derrida developing some of the architect’s concepts. The next step in integrating philosophy into the process of park design was a series of discussions between Eisenman and Derrida, who completely moved the creation of the park into the world of thoughts, without accentuating the need for their realization in the material reality. The main topic of these discussions was the problem of the chôra, which was taken up by later commentators and used to interpret the park as a work in which the philosophy of the beginning is manifested relating to issues of politics, morality and religion. The park was therefore interpreted as a space of invention within the scope of creating new rules of functioning of the community and democracy. Thinking about the political future may, however, exceed the horizon of ordinary expectations. Although philosophical thought is always connected with contemporary problems and metaphysics sometimes intertwines with current politics, yet at the same time the customs of philosophy also include crossing horizons and thinking about absolute otherness and impossibility. Initially, the chôra, différance, absolute otherness (tout autre) and the Impossible were concepts of pure philosophy of atheistic character, but with the further development of the discussion, more and more theological motifs began to emerge. One of the reasons for this phenomenon was the fact that radical negations of all being, which were contemplated in contemporary philosophy (by Heidegger and Derrida, among others), had previously been manifested in negative and apophatic theologies (by Master Eckhart, among others).Also the category of the “Other”, taken from Emmanuel Levinas, was clearly connected with the thought about God. A further reason for connecting the chôra with the theological thought was the interest in the philosophy of deconstruction expressed by some theologians. John Caputo in particular managed to persuade Derrida to participate in discussions on the current status of religion. In the late period of Derrida’s writing, further statements on religious topics appeared. All these reasons led to posing a question about the identity of the chôra and God. Although there were no satisfactory conclusions on this issue, the discussion was also important to create an interpretation of the park as a place of worship. The chôra, representing, according to Plato, the preoriginal emptiness is the place of every beginning, but it turns out that it is not neutral to the being created in it. The chôra deposits itself in every being as an irremovable beginning that interferes with its stability. The chôra, therefore, forces us into a palintropical movement, but it also turns out to be a pure compulsion, an erring necessity and a fundamental force from which, in the human perception, motifs useful to the individual and to the community are extracted. All definitions of this force, including its anthropomorphisation, are formulated in such a way that they allow for building private and collective morality upon them. Such definitions are changed depending on variable political situations. It is difficult to determine whether in the processes of changes in the formulation of “God’s names” any essential value is retained, which is not subject to change. The current definitions of the chôra (God?), which can be found, for example, in the philosophy of Caputo, stress that she is a combination of various and contradictory forces. This characteristic inherits much of Plato’s concept, reminds us of Master Eckhart’s views on Gottheit and, at the same time, is not unfamiliar to Tschumi, whose essays were an apologia of contradictions. The current concept of chôra, transferred into the sphere of politics, is the praise of social diversity and the protection of the difference from the forces of order. In the Parc de La Villette, the future community and democracy were elevated as a system of safe existence of individuals in all their singularity. The park is a temple of a future community in which individual beings have nothing in common. (shrink)

Philosophie stellt den Bezug zur Weisheit bereits in ihrem Namen (philo-sophia) her. So selbstverständlich dies ist, so spannungsgeladen ist deren Verhältnis. Denn Philosophie und Weisheit sind Korrespondenz- und Reibungsbegriffe gleichermaßen. Es mag daher auf den ersten Blick verwundern oder eben nicht, dass sich seit der Neuzeit der bis dahin konstitutive Zusammenhang von Philosophie und Weisheit zunehmend auflöst bis dahin, dass es die Philosophie seit dem 19. Jahrhundert weit von sich weist, mit Weisheit überhaupt in einen Zusammenhang gebracht zu werden (1.) (...) Unter den Bedingungen der Moderne ist es daher schwierig, über historische Aussagen hinaus Auskunft über das zu geben, was mit Weisheit aus Sicht der Philosophie gemeint ist und wie sie philosophisch zu verstehen ist. -/- Dieser misslichen Situation ist nur dadurch zu entgehen, dass man versucht, die innere Logik dieses Auflösungsprozesses zu rekonstruieren, um die Möglichkeiten einer heutigen Rede von Weisheit auszuloten. Bei diesem philosophiegeschichtlichen Rekonstruktionsversuch zeigt sich, dass Weisheit und Vernunft eine Symbiose eingegangen sind. Zum Wesen der Vernunft gehört es, kohärente Ordnungen zu erkennen und ggf. Ordnungen allererst zu stiften, wobei von Ordnung immer dann gesprochen werden kann, wenn Differentes zu einer Einheit verbunden ist. In der Geschichte der Philosophie wird Weisheit, Vernunft und Geordnetheit von drei Vernunftinstanzen ausgesagt: von Gott (als absoluter Weisheit), von der Welt (als objektiv gewordener Weisheit oder kosmischer Weisheit) und vom Menschen (als subjektiv-endlicher Weisheit). Weisheit wird diesen Instanzen deshalb zugeschrieben, weil sie – wenngleich in je unterschiedlicher Weise – über Vernunft verfügen, die wir immer dort vermuten, wo wir begründet eine Ordnung im Sinne einer Einheit von Differentem unterstellen können. Weisheit ist mithin eine Syntheseleistung. Und Aufgabe des Weisen ist es, Ordnung zu stiften (2.). -/- Der Auflösungsprozess von Philosophie und Weisheit erweist sich auf diesem Hintergrund nicht als zufälliger Betriebsunfall der Philosophiegeschichte, sondern folgt einer Logik, die sich aus den wandelnden Inbeziehungsetzungen der drei Vernunft- und Weisheitsinstanzen ergibt. In der Antike kommt dem Kosmos als Weisheitsinstanz der Primat zu; im Mittelalter der absoluten Weisheit Gottes und in der Neuzeit dem endlichen Vernunftsubjekt. Sein sich zunehmend steigernder Anspruch auf Freiheit jedoch, der sich als philosophiegeschichtlich-neuzeitlicher Reflex auf einen „Betriebsunfall“ des Spätmittelalters, die Übersteigerung des Theorems der Allmacht Gottes, lesen lässt, verträgt sich schlussendlich nicht einmal mehr mit der Bindung an irgendein Weisheitsideal (3.). Soll Weisheit in diesem „Kommerzium der Freiheit“ (Hermann Krings) als Orientierungsgröße noch eine Chance haben, dann muss sie als Kompetenz bestimmt werden, das unter Freiheitsbedingungen fast Unmögliche zu leisten, nämlich Ordnung und Ordnungen aus Freiheit zu stiften: „Sapientis est ordinare!“. (shrink)

David Hyder.The Determinate World: Kant and Helmholtz on the Physical Meaning of Geometry. viii + 229 pp., bibl., index. Berlin/New York: Walter de Gruyter, 2009.

Hermann von Helmholtz hat als Naturforscher sowohl die Physik als auch die Physiologie um eine beeindruckende Anzahl grundlegender Erkenntnisse bereichert, ihr heutiges Selbstverständnis entscheidend mitgeprägt, ihre Verfahren auf neue Gegenstandsbereiche angewendet und war führend an ihrem institutionellen Ausbau zu Laborwissenschaften beteiligt.

Der Autor des Artikels sucht die Kategorie der literarischen, Moderne in ihrer Abhängigkeit von der gesellschaftlichen Moderne zu analysieren. Nach der Feststellung, daß sich diese umstrittene Kategorie jedem definitorischen Zugriff entzieht, werden verschiedene Deutungsmöglichkeiten dieses Begriffs variiert, die Moderne als das Modische, das jeweils Moderne, das Neue und die Gegenwärtige wird der Moderne im Sinne Friedrich Schlegels, die sich vom Klassischen absetzt, gegenübergestellt. Die Verstehensmöglichkeiten des Begriffs „Moderne” werden am Beispiel der „Freien literarischen Vereinigung” „Durch” diskutiert. Passagen aus den Aufsätzen (...) von Heinrich Hart und Hermann Bahr werden zitiert. Die Entstehung der literarischen Moderne wird als Folge jener Entwicklung auf dem Feld der Naturwissenschaften und der Technik betrachtet, die den Menschen zum Beherrscher und Hersteller der Welt werden ließen. Technik und Ergebnisse der. Naturwissenschaften werden im Naturalismus dargestellt. Dieser zeigte aber den Menschen als Produkt der sozialen und psychischen Bedingungen und entspricht nicht den Forderungen, die Hermann Bahr an die Moderne stellte. Im letzten Teil des Artikels werden zahlreiche Beispiele aus der neusten Literatur angegeben, die die These unterstützen sollen, daß die Hauptmerkmale der Moderne die geschlossenen Weltbilder aufheben und sich in den „offenen Kunstwerken” in der semiotischen Form der freien Produktivität manifestieren. (shrink)

Non-commuting quantities and hidden parameters – Wave-corpuscular dualism and hidden parameters – Local or nonlocal hidden parameters – Phase space in quantum mechanics – Weyl, Wigner, and Moyal – Von Neumann’s theorem about the absence of hidden parameters in quantum mechanics and Hermann – Bell’s objection – Quantum-mechanical and mathematical incommeasurability – Kochen – Specker’s idea about their equivalence – The notion of partial algebra – Embeddability of a qubit into a bit – Quantum computer is not Turing machine (...) – Is continuality universal? – Diffeomorphism and velocity – Einstein’s general principle of relativity – „Mach’s principle“ – The Skolemian relativity of the discrete and the continuous – The counterexample in § 6 of their paper – About the classical tautology which is untrue being replaced by the statements about commeasurable quantum-mechanical quantities – Logical hidden parameters – The undecidability of the hypothesis about hidden parameters – Wigner’s work and и Weyl’s previous one – Lie groups, representations, and psi-function – From a qualitative to a quantitative expression of relativity − psi-function, or the discrete by the random – Bartlett’s approach − psi-function as the characteristic function of random quantity – Discrete and/ or continual description – Quantity and its “digitalized projection“ – The idea of „velocity−probability“ – The notion of probability and the light speed postulate – Generalized probability and its physical interpretation – A quantum description of macro-world – The period of the as-sociated de Broglie wave and the length of now – Causality equivalently replaced by chance – The philosophy of quantum information and religion – Einstein’s thesis about “the consubstantiality of inertia ant weight“ – Again about the interpretation of complex velocity – The speed of time – Newton’s law of inertia and Lagrange’s formulation of mechanics – Force and effect – The theory of tachyons and general relativity – Riesz’s representation theorem – The notion of covariant world line – Encoding a world line by psi-function – Spacetime and qubit − psi-function by qubits – About the physical interpretation of both the complex axes of a qubit – The interpretation of the self-adjoint operators components – The world line of an arbitrary quantity – The invariance of the physical laws towards quantum object and apparatus – Hilbert space and that of Minkowski – The relationship between the coefficients of -function and the qubits – World line = psi-function + self-adjoint operator – Reality and description – Does a „curved“ Hilbert space exist? – The axiom of choice, or when is possible a flattening of Hilbert space? – But why not to flatten also pseudo-Riemannian space? – The commutator of conjugate quantities – Relative mass – The strokes of self-movement and its philosophical interpretation – The self-perfection of the universe – The generalization of quantity in quantum physics – An analogy of the Feynman formalism – Feynman and many-world interpretation – The psi-function of various objects – Countable and uncountable basis – Generalized continuum and arithmetization – Field and entanglement – Function as coding – The idea of „curved“ Descartes product – The environment of a function – Another view to the notion of velocity-probability – Reality and description – Hilbert space as a model both of object and description – The notion of holistic logic – Physical quantity as the information about it – Cross-temporal correlations – The forecasting of future – Description in separable and inseparable Hilbert space – „Forces“ or „miracles“ – Velocity or time – The notion of non-finite set – Dasein or Dazeit – The trajectory of the whole – Ontological and onto-theological difference – An analogy of the Feynman and many-world interpretation − psi-function as physical quantity – Things in the world and instances in time – The generation of the physi-cal by mathematical – The generalized notion of observer – Subjective or objective probability – Energy as the change of probability per the unite of time – The generalized principle of least action from a new view-point – The exception of two dimensions and Fermat’s last theorem. (shrink)

O presente trabalho pretende inserir a História da Psicologia dentro de um debate mais alargado, em torno das Histórias da Filosofia e das Ciências. Para isso, o objeto de análise é a célebre frase de Ebbinghaus, 'A Psicologia tem um longo passado, mas uma curta história', e toda a tradição de livros e textbooks decorrente dela, muito popular nos séculos XX e XXI. O trabalho analisará o texto de Ebbinghaus e seus compromissos decorrentes. Então realizará uma crítica a essa tradição, (...) em três frentes: primeiramente, trazendo à tona estudos mais recentes sobre Gustav Fechner, encarado como figura central na constituição da Psicologia como ciência, mas não obstante ignorado por seus compromissos 'especulativos'; em segundo lugar, confrontando tais questões com as perspectivas do século XX, especialmente a história epistemológica das ciências; finalmente, abrindo o 'longo passado' a uma história mais alargada, a partir de analistas mais contemporâneos que começaram a perscrutar o próprio termo 'Psicologia'. ____________________________________________________________________________________________ This paper intends to insert the History of Psychology in a wider debate along with the History of Philosophy and History of Science. In order to do that, the object of analysis is Hermann Ebbinghaus’s famous phrase, ‘Psychology has an old past, but a short history’, and all the tradition of books and textbooks due to it, very popular on the 20th and 21st centuries. The paper is going to analyse Ebbinghaus’s text and its historical commitments and consequences. Then will perform a critics of this tradition, in 3 fronts of arguments: firstly, bringing up some more recent studies on Gustav Fechner, seen as a central character on the making of Psychology as a science, but nevertheless ignored for its ‘speculative’ commitments. Secondly, the paper will confront such questions with the historical perspectives of 20th century, specially the epistemological history of science. Finally, the paper will open the argument of ‘old past’ to a more wide ‘history’, showing contemporary analysts who started to scan the historical meaning of the word ‘Psychology’. (shrink)

Werner Heisenberg hat einen wichtigen, noch nicht hinreichend untersuchten Beitrag zum Wandel des neuzeitlichen Wissenschaftsverständnisses geleistet. Der Wandel führte von der Charakterisierung des wissenschaftlichen Wissens als sichere Erkenntnis zu seiner - heute weithin anerkannten - Charakterisierung als bloß hypothetische Erkenntnis. Anfänge dieses Wandlungsprozesses lassen sich im 19. Jahrhundert nachweisen (z.B. bei John Hersehel, William Whewell oder Hermann von Helmholtz). Ich möchte am Beispiel von Heisenberg der Frage nachgehen, welchen Einfluss die Begründung der Quantenmechanik, die seine Wissenschaftsauffassung prägte, auf den (...) Prozess der Relativierung von Geltungsansprüchen hatte. Meine Vermutung ist, dass eine entscheidende Rolle hierbei weniger dem Wahrscheinlichkeitsbegriff als vielmehr dem Wahrheits- und Realitätsbegriff zukam. Ich werde als erstes den historischen Prozess der Hypothetisierung von Geltungsansprüchen, zu dem ich Heisenbergs Konzeption ins Verhältnis setzen möchte, charakterisieren. Anschließend rekonstruiere ich Heisenbergs Konzeption, soweit sie sich seinen populären Reden und Aufsätzen entnehmen lässt. Als drittes werde ich ihre Wirkungsgeschichte kurz ansprechen und sie mit Wissenschaftsauffassungen vergleichen, die die Bedeutung des Hypothetischen für die modernen Theorien der Naturwissenschaften betonen. Ihnen gegenüber erweist sich Heisenbergs Beitrag als durchaus eigenständig. (shrink)

Die Beschäftigung mit Platon hat eine lange Geschichte, Rezeptionen seines Denkens sind so prägend für die Philosophiegeschichte geworden, dass diese verständlicherweise zuweilen als eine Sammlung von Fußnoten zu seinem Werk begriffen wurde. Das gilt besonders für einen durchgängigen metaphysischen Zug des abendländischen Denkens, ein grundsätzliches Ordnungsmodell aus der Antike, das, christlich gewendet, die Theoriebildung bis in unsere Tage fundiert. Aber mit einer Reihe anderer Gewissheiten ist auch dieser erfolgreiche Platonismus Gegenstand der Kritik geworden. Kann und soll man den metaphysischen Platon (...) retten oder muss man Platon vielmehr gegen die metaphysische Tradition neu verstehen? Muss man Platon gegen die Platonisten verteidigen, ist er der Anfang einer philosophischen Verirrung? -- Dorothea Frede, Ekkehard Martens, Arbogast Schmitt, Gernot Böhme, Hermann Schmitz, Wolfgang Detel und andere entdecken – auch durch ihre Kritik – Platon als Gesprächspartner der Gegenwart neu. (shrink)

Puzio, Anna: Zeig mir deine Technik und ich sag dir, wer du bist? Was Technikanthropologie ist und warum wir sie dringend brauchen. In: Diebel-Fischer, Hermann/Kunkel, Nicole/Zeyher-Quattlender, Julian (Hg.): Mensch und Maschine im Zeitalter "Künstlicher Intelligenz". Theologisch-ethische Herausforderungen. LIT 2023. -/- Abstract: Der Aufsatz untersucht das vielschichtige Verhältnis von Mensch und Technik und plädiert für eine Technikanthropologie. Wie schon Gernot Böhme für die Technikphilosophie diagnostiziert hat, gibt es die Technikanthropologie „faktisch [ . . . ] nämlich mit einschlägigen Publikationen, Curricula (...) und Lehrstühlen“ und doch scheint es „kein überzeugendes Paradigma“ der Technikanthropologie und keine Technikanthropologie als voll entwickelte Disziplin oder Denkrichtung zu geben. Der Beitrag trägt zur Profilierung der Technikanthropologie bei. Es werden Aufgaben der Technikanthropologie herausgestellt, neue Ansätze vorgestellt und wegweisende Perspektiven für eine theologische Technikanthropologie entwickelt. Im ersten Schritt wird in Abschnitt 1 in die Technikanthropologie eingeführt. Es erfolgen die Einordnung technikanthropologischer Konzepte und die Erklärung wichtiger Begriffe. Anschließend wird in Abschnitt 2 das Verhältnis von Mensch und Maschine/Technik reflektiert und verdeutlicht, wie beide im Verhältnis zueinander neu ausgehandelt werden. Es wird gegen ein vorgängiges Verständnis sowohl desMenschen als auch derMaschine/Technik plädiert und auf die jahrhundertelangen Einschreibungen in die Vorstellungen von beiden hingewiesen. Zeig mir deine Technik und ich sag dir, wer du bist? Abschnitt 3 führt aus, wie Technik Mensch und Körper verändert und mitbestimmt, wasMensch und Körper bedeuten. In diesem Kontext wird bereits die Notwendigkeit einer Neukonzeption von Technikanthropologie deutlich. Abschnitt 4 zeigt, anhand zweier Ansätze, neue Wege der Technikanthropologie auf: einen radikalen Neuentwurf des Menschen durch Donna Haraway und des Sozialen durch Bruno Latour. Schließlich werden in Abschnitt 5 Perspektiven für eine konkrete theologische Technikanthropologie entwickelt. Gerade der anthropologische Zugang zur Technik wird sich als wichtiger Zugang der Theologie zum Technikdiskurs erweisen. (shrink)

Filosofía Judía, una noción, problemática, incluso ambigua para muchos, catalogada como incierta, dado su ligamen con una comprensión de filosofía regionalizada, e incluso como una filosofía de una nación. Sin embargo, tales barullos encuentran una contraposición, desde un área académica que apunta al esclarecimiento de la noción. Uno de los trabajos que retoman esta labor de elucidación se desprende del texto intitulado “History of Jewish Philosophy” editado por Daniel H. Frank y Olivier Leaman (1997), en dicho trabajo se realiza una (...) mención de principios y fundamentos, así como una descripción de diferentes momentos del pensamiento desde la época medieval hasta nuestros días. En el escrutinio de las fuentes de reflexión de la designada Filosofía Judía, ahí se reconocer como elementos de inspiración el Tanaj, el Talmud y la interacción con las escuelas griegas de pensamiento; además, en lo que respecta al itinerario investigativo, los autores exponen una serie de propuestas, de múltiples autores ligados a este tendencia, entre los que se pueden citar Moses Maimonides, Hermann Cohen, Franz Rosenzweig, Martin Buber y Emmanuel Levinas. (shrink)

The German text of Cohen’s Spinoza on State & Religion, Judaism & Christianity (Spinoza über Staat und Religion, Judentum und Christentum) first appeared in 1915 in the Jahrbuch für jüdische Geschichte und Literatur. Two years before, in the winter of 1913, Cohen taught a class and a seminar on Spinoza’s Theological-Political Treatise at the Hochschule für die Wissenschaft des Judentums. This was Cohen’s first semester at the Hochschule, after retiring from more than thirty years of teaching at the University of (...) Marburg. Cohen’s fame at the time was at its zenith, and his move to the Hochschule was a cause for celebration and excitement. According to the testimony of some students who attended the Tractatus Theologico-Politicus seminar, Cohen left no place for any expression of dissent (regrettably, the academy frequently encourages such authoritarian behavior). The text of Spinoza on State, which was the product of this seminar, still bears the marks of this “didactic” attitude. It is bombastic and feebly argued. Thus, in one moment of emotional crescendo in the text, we can literally hear Cohen shout: When Spinoza, with merciless severity, makes his own nation the object of contempt – at the time that Rembrandt lived on the same street and immortalized the ideal type of the Jew - no voices rises in protest against this humanly incomprehensible betrayal. Such patriotic rhetoric is quite typical of Cohen’s Spinoza on State, as the work reads more like a series of rants against the devil incarnated (“the demonic spirit of Spinoza”) in the figure of the traitor from Amsterdam than like a sustained and serious philosophical polemic. From time to time, one can observe hints of critical arguments, but hardly any are fleshed out. The text is also replete with rudimentary factual and interpretative errors. Thus, when Cohen argues that Spinoza traces his pantheism to Jewish sources, Cohen erroneously cites Spinoza’s reference in E2p7s to “some of the Hebrews [quidam Hebraeorum]” who argued for the identity of Sekhel, Maskil, and Muskal (the Intellect, the Intellecting Subject, and the Intellected Object) – a Maimonidean doctrine that has nothing to do with pantheism – while the text Cohen clearly had in mind was Spinoza’s claim, in Letter 73, that the traditions (traditionibus) of the “ancient Hebrews [antiquis Hebraeis]” agree with Spinoza’s claim that “all things are in God.” Similarly, and on the very same page, Cohen ascribes to Spinoza the claim that “the God of the Old Testament is only a body,” a claim which is nowhere to be found in Spinoza’s works, and which can be inferred from Spinoza’s text only through a patent fallacy. If I may add one last example, consider the following passage from Cohen’s Spinoza on State: [For Spinoza] divine law is grounded in our mind. Yet this does not mean that our mind bears responsibility for producing and obeying the law. Instead, it means that, by definition, the human mind and God are identical, inasmuch as He exists in the human mind. Hardly any claim in this brief passage is correct. Yet, what is most striking is Cohen’s derivation of the identity of God and the human mind from the claim that God exists in the human mind. If I exist in North America, this obviously does not imply that I am identical to North America (there are, for example, a couple of North American porcupines and alligators that are distinct from me). What rule of inference Cohen sought to employ in this argument, and how this impressive inference of the identity of God and the human mind is supposed to square with Cohen’s view of Spinoza as a pantheist – i.e., as considering the physical nature to be divine – is beyond my grasp. Instead of tracking down the dozens of crude errors and fallacies in Cohen’s text, I would like to concentrate here on one crucial issue: Cohen’s critique of Spinoza’s pantheism. By doing this, I will have to pass silently over a couple of surprising agreements between the two figures, such as the (false) claim that all of the prophets of the Hebrew Bible taught the same universal and simple morality. My discussion of pantheism will be divided into two sections. In the first, I will examine Cohen’s understanding of Spinoza’s pantheism. In the second, I will briefly examine the historical validity of Cohen’s claim that pantheism is a Christian doctrine, diametrically opposed to Judaism. (shrink)

There is fast-growing awareness of the role atmospheres play in architecture. Of equal interest to contemporary architectural practice as it is to aesthetic theory, this 'atmospheric turn' owes much to the work of the German philosopher Gernot Böhme. Atmospheric Architectures: The Aesthetics of Felt Spaces brings together Böhme's most seminal writings on the subject, through chapters selected from his classic books and articles, many of which have hitherto only been available in German. This is the only translated version authorised by (...) Böhme himself, and is the first coherent collection deploying a consistent terminology. It is a work which will provide rich references and a theoretical framework for ongoing discussions about atmospheres and their relations to architectural and urban spaces. Combining philosophy with architecture, design, landscape design, scenography, music, art criticism, and visual arts, the essays together provide a key to the concepts that motivate the work of some of the best contemporary architects, artists, and theorists: from Peter Zumthor, Herzog & de Meuron and Juhani Pallasmaa to Olafur Eliasson and James Turrell. With a foreword by Professor Mark Dorrian and an afterword by Professor David Leatherbarrow,, the volume also includes a general introduction to the topic, including coverage of it history, development, areas of application and conceptual apparatus. (shrink)

Indem dieser Band sich auf das Verhältnis von Naturerkennen und Natursein konzentriert, thematisiert er einen wesentlichen Ausschnitt aus dem weiten Spektrum von Böhmes philosophischer Arbeit. Um die Naturthematik möglichst breit zu entfalten und für Querverbindungen offenzuhalten, ist der vorliegende Band in drei Abschnitte gegliedert. Im ersten Abschnitt stehen Charakter und Reichweite der wissenschaftlichen Erkenntnis von Natur im Mittelpunkt. Der zweite Teil des Bandes stellt alternative Perspektiven auf Natur vor. Im dritten Teil schließlich stehen der Mensch und sein Verhältnis zu sich (...) selbst im Mittelpunkt der Untersuchungen. Inhaltsverzeichnis Krohn, Wolfgang: Wissenschaftsentwicklung zwischen Dezentrierung und Dekonstruktion. Stehr, Nico: Von den Grenzen der Macht wissenschaftlicher Erkenntnis. Schäfer, Wolf: Zweifel am Ende des Baconschen Zeitalters. Kamper, Dietmar: Wissen ist Ohnmacht. Macht ist Unwissen. Gamm, der Technik. Janich, Peter: Zeit und Natur. Kimmerle, Heinz: »Es ist Zeit, daß es Zeit wird«. Wie kann Zeit Zeit werden? Schiemann, Gregor: Natur auf dem Rückzug. Zur Relevanz der aristotelischen Unterscheidung von Natur und Technik. Hauskeller, Michael: Ist Schönheit eine Atmosphäre?. Zur Bestimmung des landschaftlich Schönen. Schmitz, Hermann: Situationen und Atmosphären. Zur Ästhetik und Onthologie bei Gernot Böhme. Rehmann-Sutter, Christoph: Über Relationalität. Was ist das »Ökologische« in der Naturästhetik? Meyer-Abich, Klaus Michael: Erinnerung an die natürliche Mitwelt. Andreas-Griesebach, Manon: Idee plus Erfahrung. Goethes Begründung eines neuen Typs von Naturwissenschaft. Engelhardt, Dietrich von: Madame de Stael über Naturphilosophie, Naturwissenschaft und Medizin in De l'Allemagne. Deneke, Michael: Schramm, Engelbert: »Soziale Naturwissenschaft«. Zwischen Sozialwissenschaften und Naturwissenschaften. Böhme, Hartmut: Enthüllen und Verhüllen des Körpers. Biblische, mythische und künstlerische Deutungen des Nackten. Lippe, Rudolf zur: Eine Logik des gestischen Wissens. Müller, Rudolf Wolfgang: Gernot Böhme - Anima naturaliter japonica. Hoffmann, Gisbert: Das menschliche Sein als mediales. Martens, Ekkehard: »Natürlich« denken?. Heideggers Pseudosokratismus als Irrationalismus. Fleischer, Helmut: Naturalität ohne Naturalismus. Zum lebensweltlichen Fundus jeder höheren Erkenntnis-Artistik. Gerhard: Technik als Medium. Grundlinien einer Philosophie. (shrink)

RESUMO: O presente texto põe algumas questões referentes à “história” dos fundamentos da Psicologia entre os séculos XIX e XX, mostrando como ocorrem ainda, em História da Psicologia, certos fatores controversos, muitos deles tributários de postulados filosóficos do século XIX, especialmente em torno do positivismo. O artigo concentra-se em mostrar, preliminarmente, de que forma a ruptura da Filosofia Natural e a ascensão da figura do “cientista” no século XIX ensejaram novos motivos de análise, dentre eles certo cientificismo que se impôs (...) inclusive como chave de interpretação histórica. Após uma exposição inicial do problema – chamando a atenção também às consequências institucionais, da formação à profissão –, o artigo faz três breves estudos de caso – em torno de Fechner, Helmholtz e Wundt – e termina por defender perspectivas que abram a História da Psicologia a histórias mais alargadas, tais como a História da Filosofia e as Histórias das Ciências._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ABSTRACT: The present work poses several questions concerning the history of Psychological’s foundations between 19th and 20th centuries, showing how there are still today certain controversial factors derived from 19th century philosophical postulates acting on the ways of describing psychology’s history, notably around positivism. The article concentrates in showing, in a preliminary way, how the rupture of Natural Philosophy of 18th century and the rise of the figure of the scientist in the 19th century gave rise to new analytical patterns, as well as a certain Scientism that tried to impose itself as the keystone to historical interpretation. The work begins with an initial exposition of the problem – calling into attention the institutional consequences as well, from the psychological common sense to professional issues -, and then analyzes three case studies - Gustav Fechner, Hermann von Helmholtz and Wilhelm Wundt – ending with the defense of perspectives that open the History of Psychology into another historical procedures, such as History of Philosophy and History of Sciences. (shrink)